Fatehpur Sikri- Tha Symbol Of Mughal Architect

Fatehpur Sikri This is true that India has so many secretes in its depth. Therefore it has an incredible Culture and some peoples helped to make this culture differ to any other. A concern person as a Akbar who helped the India to made a same above by construct the forts, the tombs, and some beautiful miniatures. Fatehpur Sikri is an one if them. Before one month I was in India for a tour of great Golden triangle Delhi-Agra-Jaipur. I left the Taj city Agra and drive down for Jaipur via Fatehpur Sikri. I didn’t heard this Before but when I visited that monument then I found, Fatehpur Sikri Greatest of all the Mughal Emperors who ruled India, Akbar ascended to the throne in 1556 at the tender age of 14 years. Apparent reason of ascending throne was the sudden demise of his father, Humayun. Akbar turned his attention towards building a magnificent Imperial capital at Agra as soon as he consolidated his power. Instant result of his interest was impressive Agra Fort, which was a great asset militarily as well as it served as the royal residence. In due course of time Akbar decided to shift his capital to nearby. There is a difference of opinion among historians about this decision of Akbar. According to the legends Akbar used to visit the hamlet of Sikri to take the blessings of the great Sufi saint Salim Chisti in order to have an heir to his throne. Akbar's visitations were fruitful, for he was blessed with three sons. He built the new city according to the instructions of Salim Chisti whose mausoleum is a part of Fatehpur Sikri. Another set of historians say that he built the new city at Fatehpur Sikri as it was falling on the highway towards South India from North India. From this place he was able to control all parts of the country and move in any direction without much trouble. The new city was set on a hilltop that made it reasonably safe from future attacks. The new city, built on a ridge, grew into a magnificent township larger than contemporary London. Akbar did not stayed in this magnificent city for long and reasons for deserting Fatehpur Sikri are as much mysterious as was its construction. Fatehpur Sikri - The Architectural Style At Sikri, the various royal palaces have been built in Gujarati and Rajasthani architectural styles, using ornate columns, fanciful jali work (intricately perforated decorative stone screens), sumptuous carving, and surface ornamentation. Most of the buildings located inside Fatehpur Sikri are a unique blend of architectural traditions flourishing at that time in India. These small palaces are largely a sequence of connected rectangular courtyards; these are aligned with the polar axes and so have to be grouped in a staggered formation across, the top of the narrow diagonal ridge. The overwhelmingly Hindu architectural vocabulary, however, cannot conceal the Islamic norms followed in the large-scale planning that is supposed to have derived from Arab and Central Asia tent compartments! Fatehpur Sikri - Monuments within

Diwan-I-Aam

As one enters Sikri from the Agra Gate, one of the nine gateways on the way to the palace complex, Diwan-I-Aam, or the hall of public audience appears first. It is a huge rectangular walled-in courtyard where petitions were heard, proclamations made, embassies received and entertainment programs held. The royal balcony, set within a frame of jail screens, appears on the western front. In front of the royal seat, a stone hook is still found embedded in the ground. As per tradition, Akbar's pet elephant Hiran was tied to this hook to crush to death under its feet the head of the guilty. If it refused to obey thrice, the victim was freed. Diwan-I-KhasThe royal enclosure lies behind the Diwan-I-Aam. At the northern corner stands a small but grand single-storey structure of Diwan-I-Khas with the most magnificently sculptured and most photographed stone column at the center of the hall. It bursts forth into a set of 36 closely set vaulted and pendulous brackets supporting a circular platform from which radiate four passages. Is it really the famous Ibadat-Khana where Akbar initiated religious discourses amongst diverse religious groups-Hindu, Muslim, Jain, and Jesuit etc? Panch Mahal Panch Mahal, a five storeyed pavilion, stands on the western line of the courtyard. This is the badgir, the Persian wind tower for ladies of the harem. The jail screens between the 176 differently carved pillars have disappeared. Once these screens provided purdah (cover) to queens and princess on the top terraces enjoying the cool breezes and watching splendid views of Sikri fortifications and the town nestling at the foot of the ridge. In the courtyard Akbar played pachisi (checker board) with dancing girls as live pieces. Jami Masjid The mosque at Sikri was the first structure to be built in 1571. The exterior is modest but the interior carries the most gorgeous ornamentation in the floral arabesques and ingenious geometrical patterns in brown, red, turquoise, black and white. The spacious courtyard adds a stately charm to the place. It could accommodate ten thousand men at prayer. Akbar was so enthusiastic about this mosque that he occasionally swept the floor and gave azan (call for prayer). On June 26, 1579, Akbar even read the khutba himself, a great innovation, earlier attempted only the Timur and Mirza Ulugh Beg. Tomb of Sheikh Salim Chisti In 1580-81 eighty years after the saint died in 1572, Akbar built the tomb in red sandstone. In 1606, Qutubuddin Khan Koka, on orders from Jehangir, covered the edifice in white marble. Much later in 1866, a district magistrate of Agra replaced the plaster dome with white marble. The magnificence of the splendid jail screens carved out of huge marble slabs shows a rare perfection of craftsmanship. The dramatic serpentine brackets supporting the wide chajja on all four sides of the edifice have an amazing grace. The real grave lies in an undisturbed repose in the crypt, closed to visitors. Women devotees longing for a child come here and tie a colored thread to the jails. In a gesture of thankfulness they come back when their wish is granted. Buland Darwaza Buland Darwaza, the colossal triumphal arch, was built in 1575 on the southern wall of the courtyard. It celebrates Akbar's conquest of Gujarat. The towering portal has the height of 176 feet from ground level and 134 feet over the top step. The grand recessed central arch is the most magnificent of its kind in the entire range of Mughal architecture in India. Modest ornamentation with calligraphy contains a famous line: The world is but a bridge: Pass over but build no houses on it. The Buland Darwaza commands the landscape for miles. Palaces in the Harem Abdul Fazl, Akbar's historian, mentions that the royal harem had nearly 5000 wives. The queens always brought with them a great entourage of maids and dancers. The queen mother and princess had innumerable slave girls as their attendants. The member of concubines, families of courtiers away on royal duty, and dancing girls was always on the rise. The harem included not only the chief wives but all women inmates. Haresara (female quarters) occupies the largest central area in the royal enclosure at Sikri. Jodha Bai's palace belonged to Harkha, the Amber princess and mother of Jehangir, and the other Rajput wives from Bikaner, Marwar, Jaisalmer, Merta and Durgapur and their companions. No wife of Akbar was called Jodha Bai. One of Jehangir's wives was so called. This is a high-walled edifice, guarded by a grand gateway leading to a spectacular courtyard. With double storeyed pavilions at the center of colonnades on all four sides, this place has some striking Hindu architectural features like ornamental columns, bells and chain motifs, heavy brackets and niches on the wall for the deities worshipped by Rajput ladies.The other smaller but beautiful palace belonged to Akbar's mother, Hamida Banu Begun, widow of Humayun. She was the most respected lady of the harem with the title Mariam-Makani. This palace is also called Sunehra Makan (golden house) because of the golden paint on the faded murals. The third palace in the harem quarters belonged to Akbar's two senior wives: Ruqayya Sultan Begum (who brought up Jahangir's son Khurram later called Shahjahan), and Salima Sultan Begum-widow of Bairam Khan. Maybe here lived Birbal's daughter who was married to Akbar hence its present name, Birbal Mahal. Surely no male could have been allowed to stay within the corner of the Sikri ridge.